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The boy scudded lightly across the narrow open space to the shelter of a manzanita tree, and looked back again; but no one appeared. Did he still hear the softly quarrelling voices? He fancied so. The sudden dip of the sun behind a hill darkened the scene threateningly, and brought a return of “the creeps.”,

THE place Billy called the Fo’castle was a tiny room in the sloping windmill tower. It was level with the second floor of the house, and a narrow, railed bridge connected it with a door in his mother’s room. Under it was the above-ground cellar, overhead the big tank. Still higher whirled the great white wings that pumped the beauty-giving water to lawn and gardens.,

The old man peered over the steps, and Moses recognized the loose-jointed long-limbed individual who had provided him with such mirth on the previous day.,

Mannel Rodd’s round face was very solemn as in two chubby fists he held out a small box containing a number of short knobby specimens.

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After setting her white bouquet on the large dining-table, Betty again hastened to her beloved garden and began weeding where her ministrations were needed. As she worked, she hummed “Sweet and Low” softly to herself. The school children had lately learned to sing it.,

Late that night when Billy’s mother followed him to the Fo’castle, he asked, “Are you pleased with it, little mother?”,

“Jeth could whip your ole mongrel; but I don’t warnt him bit up,” called Moses over his shoulder as he walked away. To this taunt Clarence replied only with a hideous grimace.,

Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers.